- Beatriz Lafont
- Bruno Benne
- Corina Marti
- Cornelia Demmer
- Daniel Deuter
- David Eben
- Eva Káčerková
- Irena Troupová
- Irmtraud Hubatschek
- Jana Semerádová
- Julie Braná
- Kateřina Ghannudi
- Kateřina Klementová
- Letizia Dradi
- Lukáš Vendl
- Magdalena Malá
- Magdalena Švecová
- Marek Špelina
- Marek Štryncl
- Margot Oitzinger
- Michael Brüssing
- Nele Vertommen
- Ondřej Šindelář
- Ondřej Šmíd
- Peter Holtslag
- Peter Kooij
- Poppy Holden
- Robert Hugo
- Shalev Ad-El
- Veronika Svačinová
- Zuzana Švecová

Robert Hugo
Choir (sacred music & opera)ROBERT HUGO got his first university degree at the Faculty of Science at the Charles University in Prague. He also is a graduate of the Academy of Performing Arts in Prague, the Department of Music Theory. He studied organ with Milan Šlechta and Jaroslav Tůma (at the same institute) and harpsichord with Helmut Franke and John Toll. He gained experience with early music by working in early music ensembles in Germany, Poland, France and the United Kingdom, especially in projects by Holger Eichhorn and Marcin Bornus Szczycinski.
Since 1990 he has been working as an organist of the Academic Parish Prague in the church of the Holy Saviour in Klementinum, he also worked as an opera conductor at the National Theatre in Brno. He has given concerts in many European countries and Canada. As a soloist, he focuses mainly on the historical organ and keyboard instruments of the South German region.
He dedicated his scientific and artistic work to the unique personality of the Benedictine composer of the Baroque era Gunther Jacob. With the ensemble Capella Regia Prague, which he founded in 1991, he has been devoting himself to Czech and Central European Baroque music for many years. In recent years, he has realized a number of opera projects in Baroque theatres in Český Krumlov and Valtice.
The result of his scientific and artistic activities is a long series of mostly premiere recordings of the Czech and Central European Baroque music. He taught music theory subjects at the University for Sacred Music in Görlitz, Germany, and currently teaches in the Department of Theory and Performance Practice of Early Music at the Faculty of Arts of Masaryk University.