- Andrea Miltnerová
- Barbora Kabátková
- Beatriz Lafont
- Brian Wright
- Eva Káčerková
- Florencia Gomez
- Gabor Prehoffer
- Irmtraud Hubatschek
- Jakub Burzyński
- Jakub Kydlíček
- Jana Anýžová Chytilová
- Julie Braná
- Jürgen Banholzer
- Kateřina Klementová
- Letizia Dradi
- Lorenzo Charoy
- Lukáš Janko
- Lukáš Vendl
- Magdalena Malá
- Magdalena Švecová
- Marek Niewiedzial
- Marek Špelina
- Marek Štryncl
- Michael Brüssing
- Michaela Koudelková
- Ondřej Šindelář
- Ondřej Šmíd
- Richard Šeda
- Robert Hugo
- Shalev Ad-El
- Stanislava Mihalcová

Marek Niewiedzial
Baroque oboeAbout The Class
Everyone who wants to explore the secrets of playing instruments with the word “oboe” in the name and many related instruments is invited to the historical oboe class. During the course you can get acquainted with such instruments as: baroque oboe, oboe d’amore, oboe da caccia, classical two- and eight-keys oboe, english horn and 19th-century oboe. Both purely technical and performance issues supported by extensive orchestral experience are the starting point for our musical meetings.
Both period and modern instruments are accepted. It is possible to borrow the instrument after prior contact with the tutor.
“How to play the oboe so as not to go crazy?
How to go crazy and then play beautifully?
Are the keys and the reed really necessary?
What oboe to play Mozart on?
Are the “baroque” a sect?
Can you play early music on contemporary oboe?
Why is contemporary oboe not contemporary?
To vibrate or not to vibrate – that is the question. Is what the professor says true?
How to live?
In Valtice, I will try to provide comprehensive answers to all questions. I invite!”
Suggested Repertoire
F. Couperin, G. F. Händel, CPE Bach, …but first of all – not published pieces for oboe, which can be found in e-libraries like IMSLP.