Corina Marti
Recorders /
Medieval Ensemble Music
obtiznost_lektora


Harpsichord and recorder virtuoso Corina Marti is recognized internationally for her “strikingly superior and expressive” interpretations (Toccata), and “infallible” performances (Diapason).

She leads a full life as a soloist, chamber musician and teacher, travelling regularly across Europe, North and South America, the Middle and Far East.

Her extensive discography of repertoire ranges from the fourteenth-century istanpitte and intabulations to – and beyond – the chamber music and solo concertos of the High Baroque, and reflects the breadth of her musical interests and technical skills.

She has appeared with numerous early music ensembles and orchestras (including Hespèrion XXI, Coro della Radiotelevisione Svizzera Italiana and the Helsinki Baroque Orchestra), and is artistic co-director and founding member of La Morra, an award-winning Late Medieval and Early Renaissance music ensemble which “never fails to keep the listener’s attention alive” (Gramophone).

Her ongoing research into aspects of the repertoire and the reconstruction of Late Medieval and Early Renaissance keyboard instruments and recorders has contributed substantially to the present-day revival of these instruments. She teaches the next generation of early music performers at the Schola Cantorum Basiliensis in Basel, Switzerland, and in masterclasses worldwide.

Further information about Corina Marti can be found at:

La Morra

Corina Marti

About The Class

Recorders 

We’ll focus on 15th century ensemble playing and the repertoire that the students bring as well .

Medieval Ensemble Music

The class is intended for singers, instrumentalist with a special attention to medieval keyboards. In the class we will firstly explore variety of the styles of this repertoire, and how to sing and play it within ensembles. We will explore some historical and technical hints and we learn how to arrange the instruments too.

Suggested Repertoire

Recorders

You may bring materials till the late baroque and with a special focus on Charles Dieupart.

Medieval Ensemble Music

The repertoire will be music from codex Las Huelgas and Robertsbridge codex. other music is welcome too if it’s a wish from the students

Level Of Skills Required

2. Advanced – Recorders / 3. Advanced and professionals – Medieval Ensemble Music

Maximum number of students

Recorders: 7 / Medieval Ensemble Music: 15

Active Participants – Recorders

    1. Anonymous participant
    2. Anna Šteflová
    3. Julie Kučerová
    4. Karolína Mydlářová
    5. Táňa Rezková
    6. Tamar Melzer Krymolowski
    7. Karolína Petrůjová

Active Participants – Medieval Ensemble Music

    1. Ladislav Horký
    2. Pavla Látová
    3. Vlastimil Kovář
    4. Eva Liptáková
    5. Jiří Havrlant
    6. Maurycy Raczyński