Corina Marti (Switzerland)

Late Medieval and Renaissance Music

Corina Marti performances have been praised as ‘strikingly superior and expressive’ (Toccata) and ‘infallible’ (Diapason). After graduating in Baroque music performance on the recorder and harpsichord from the Lucerne Academy of Music, she focused on early flutes and Late Medieval / Early Renaissance repertoire, in which she gained a degree from the Schola Cantorum Basiliensis in Basle (Switzerland) under the guidance of Pierre Hamon and Kathrin Bopp. She has extensively performed, recorded and taught Late Medieval and Early Renaissance repertoire throughout Europe and the Middle East. In 2003, she was invited to join the faculty of the Schola Cantorum Basiliensis as a tutor for early flutes and keyboard instruments. Her performances on these instruments and research into their history and construction have contributed to their revival among performers.

She also enjoys later repertoire, appearing as soloist and together with chamber music formations and orchestras (including Jordi Savall’s Hesperion XXI and La Capella Reial de Cataluña) performing Renaissance, Baroque and contemporary repertoire.

With ensemble La Morra, of which she is co-director, she has recorded several enthusiastically received CDs of fifteenth- and early sixteenth-century music (including the complete works of Johannes Ciconia, awarded Diapason d’Or, and Jahrespreis der deutschen Schallplattenkritik). Her ongoing interest in the earliest instrumental music has resulted in a CD release devoted to German repertoire of the late fifteenth- / early sixteenth-century (Von edler Art, Ramée, 2008, together lutenist with Michal Gondko) and in her first solo CD: I dilettosi fiori, 14th century music for clavisimbalum and recorders. Her discography of post-1500 music includes recordings devoted to Early Baroque instrumental music from Lombardy, music by the Italian-Jewish composer Salomone Rossi (1570-c1630), flute sonatas by Johann Sebastian Bach and – most recently – flute concertos by Francesco Mancini.

About the class:

Medieval and early renaissance music for recorders and keyboard instruments.

Suggested repertoire: Medieval and Renaissance repertoire, with special attention to Italian music around 1400. Buxheimer Orgelbuch for keyboard players.

Maximum number of students:

Teaching languages: English (main), German, Polish

aktivní účastníci / active participants

  1. Hana Havlová
  2. Eva Bublová (pasivní)
  3. Vlastimil Kovář
  4. Zuzana Novotná
  5. Ladislav Horký
  6. Rob Tempelaars
  7. Jakub Kydlíček
  8. Michaela Roubalová

Photoalbum not found!

(c) Společnost pro starou hudbu (ČR) – webmaster: Martin Šmíd (martinsmid(zavináč)